Production Blog: for people who enjoy production blogs.

I would just like to start this post off on that note there about anal destruction. Alright now, good. Moving the fuck on.

Work is almost complete on the FOX project. A couple more recording sessions, a little bit of audio re-tooling, and just one more character animation (theres the biggest time-consumer) and we've got another one in the hat. I'll post the link to it as soon as I can, and then you guys have to go vote on it, because 1 of the 5 finalists are chosen by the people.

Alright yeah, I suppose that's about it.

Production Blog #16000074

A lot of progress has been made this week. After officially starting the project at the tail end of July, the ideas and artistic styles have mutated so much and are finally starting to take hold and lay foundation for the rest of the story and visuals to come. So far, everything I have done(which isn't 100% in order) clocks in at over 12 minutes; which doesn't sound like a lot until you think about the effort it goes into each shot. The longest single shot is about 1:45, without the camera moving. A shot like that takes 2-3 hours of animation (that includes lip-syncing), and about 3 hours just to encode into actual video. Of course, this isn't counting the time it takes to write and record it. And that's just one shot- within a scene comprised of many shots.


The story takes aspects that are already familiar to the Stan, Satan, and the Old Fashioned Gun universe(http://oldfashionedgun.smackjeeves.com). The cops, Frank and Marty, play an integral part... especially Marty, as we watch his life spiral out of control and take a nose-dive.


Some major characters I have yet to include, such as Rochester and The Old Man With No Eyes (although each make a brief appearance), but I'm simply waiting for the right time. At the start of the comic there were just Stan and Satan; the other characters came later. That seemed to work well for everyone and I you never feel like anyone gets left behind.


When I was originally designing the art style of the project, I wanted each frame to be hand painted with a white ink border after the inking process. The process was just way to expensive and time consuming... so instead I just went with a single black border. The intent was always to have color be a huge factor, for each character to be composed of one or two colors each. That's expanded to maybe 3 colors each, but everything is very simple and colorful. The backgrounds are drawn, inked, and scanned into photoshop where I color them with varying layers and opaque brushes to make it seem almost painted. Some come out better than others.


Each scene has it's own color scheme. A barn scene is composed mostly reds and black. In stans house, everything is greenish. The scene in the opera house is all deep reds. Color is a huge part of recognition in the human brain, so my goal is to have everything memorable and have a cetain feel to it, sometimes even nastolgic.

These two shots on top and bottom of this paragraph is in example of getting caught re-using a background for different scenes. It may not look the same, but the top is a far more contrasted and has higher levels of color than it's brother below. I never said I didn't cut corners. Hell, I've even used a lip set from Lunchbox Duck Does it Right episode 2.
Most of the animation is uncomplicated and easy. I'm going to rely on the drawings, the style, and audio content to deliver the story. The lips sync, and people will move their arms and eyes and stuff like that, but don't expect anything above, say, South Park in terms of realistic animation and movement.

This sequence above with Stan and Marty was a challenge in that it needed to have many camera angles, and each drawing had to have 2 versions- a normal one, and one with light cast on it. When moved very fast, it gives the illusion of gunfire.


Above here is another instance of cutting corners. I realized I hadn't made a background for behind Frank and Marty, so I stole one from myself from the opening scene in the second episode of Lunchbox Duck. it sort of sticks out as it has more colors than anything else in the scene.
I'm sort of running out of things to say.

I show pictures and not final product for a few reasons. One is that I don't feel like anything is final. There are still little SFX that are missing, and a few of the vocal tracks need to be edited to not include breath hitting the mocrophone. Another reason is I don't want to be ripped off. Not that I really think people are watching me waiting to take my ideas, but it would suck. The other reason is I just like being mysterious. Someday I will show you some video, but for now, you'll have to settle for that dance sequence that I put up on YouTube. (try a few posts down)

So there you have it. By Christmas I hope to have 30 minutes done. Maybe I'll compile a trailer or something then.

The first 6 Minutes in stunning video diary!

The first 6 minutes (and then some) of Stan, Satan, and the Old Fashioned Gun, is 100% animated and edited. There is still a small segment I want to put in between 2 scenes that would better clarify things, but for now, it's just an idea.

So, I'm really stoked on how this all turned out, and so I've taken the liberty of going through the first 6 minutes and taking a few snapshots of how the final product looks.



^it starts off with a rockin, fast-paced opening credits sequence. There are many cuts and effects put in place here. Theres also an underlying story that doesn't have anything to do with anything, but it's basically a copped-up, re-edited version of the original scrapped intro. I like this one better.


^My name happens to be in every single credit.





^ A few more happenings during the opening credits



^Hooray! The title!



^scene change- We meet Officers Frank and Marty, as well as the chief of police, Paul Stuck. The introduction is brief however, as there are better things to focous on.






^Scene change- we see Stan arm wrestling a pig. Before this, I plan to add that short sequence I mentioned earlier. As satan enters, we discover that Stan is involved in Illegal, Underground, Left handed pig arm wrestling. After a moment of arm wrestling, a shotgun goes off. A cat jumps up and yells "FARMER!" as he is mauled by a herd of animals hastily making their way to the exit.






^Satan has made it out of the barn through the commotion. But... "Wheres Stan?". cut to Stan laying down on his back. We see a creepy old man slowly make his way to him... they have an awkward conversation for a moment, before we change scenes.

(oops forgot to include the old man. sorry)


^lengthy scene change includes many pans and zooms throughout the city, to the saxaphone.


^After the scene switch, we come across Frank and Marty again. This scene is (almost) verbatim to their first comic introduction. Much nostalgia.

Well this it folks. There are other scenes that are indeed finished that aren't here, but they take place later on and I'm just not there yet.

So, tell me what you think (I'm pretty sure this is getting posted on my Facebook, as well?) about what you saw. The art direction, the characters, anything. lemme know! comments!

Stan, Satan, and the Old Fashioned Comeback

In 2003 I attempted to create a cast of characters that I could use in a sort of "Film Noir" type story about a man named Stan, his companion, Satan, and their quest for a priceless antique Gun. Like so many others, the idea faded away into oblivion.

Two years later, we're at September, 2005. I ressurrect the characters, but drop the whole storyline. The title, Stan, Satan, and the Old Fashioned Gun didn't apply, but I chose to stick with it simply for the fact that it delightfully didn't any longer make sense. I chose to spiral the story into craziness with more stupid characters and insane situations, and it worked. The characters clicked, the story, while palable and limited, successfully infused each character with an important role and interesting situations (Like jail and record deals).

I continued on with this comic, and to this day is the longest running project I have. With 170 6-pannel comics just under the belt, theres a lot of content to work with, some good, some bad. I've slowed down considerably (from a new comic every day to a new comic every 6 months or so)due to other projects, but I always had it by my side while I took on the task of my new Animation projects like Lunchbox Duck Does it Right and Beasts of Lore (Both on YouTube).

Flashforeward to Now... almost August 2008.

The inevitable happens: Production begins on Stan, Satan, and the Old fashioned Gun Animated Cartoon. But it's a whole different animal...

Whereas the comic is black and white, the cartoon is simple, solid colors. Each character is represented by 3 colors ... black, white, and one other color thats specific to the character (Stan is blue, Satan is red, etc. etc.)

Now, production is about 3 weeks in, with about 4 to 5 minutes completed already. Each frame is also very expensive, costing me almost a dollar every time something appears on screen. The style and editing is alos very unique... when the project is over, I want it to be like nothing else in entertainment... and so far I'm on the right track.

Pretty large ambitions, I know, but I don't know how to have any other kind. With production moving along like it is, I have a slated release date of mid 2009.

Oh. did I mention...

I'm attempting the first ever (as far as I know) feature film made by a single person. We'll see how that goes.